The Burn That Ukulele! series is one of several projects that have been idling at the edges for over a decade. I haven’t tended to these projects because they all involve retrospective recordings, and my focus has been on creating (ie inundated by) new material. This year however has opened a very different process, one […]
Burn That Ukulele! Vol 2 & 3: Uke Transmissions 2011 – 13 Read More »
Burn That Ukulele! Vol 1 is the first part of a retrospective project that’s been lurking at the fringes for quite awhile. It contains 22 tracks, and at 1 hour 20 mins I guess it constitutes a ‘double album’. My decision to release it now is due to a much larger life process, of revisiting
Burn That Ukulele! Vol 1: Uke Transmissions 2011-13 Read More »
Uke takes a backseat in this new collection of original tunes, mostly-instrumental music influenced by my love of African & AfroCuban rhythms. Danceable organic grooves, hypnotic atmospheres, driven by traditional percussion and a spirit of renewal. New Skin – Bradfield Dumpleton 2017 (Mya Moe ukulele, electric guitars, cello bass, keyboard, cajon, dun dun, lizard sticks,
Pigbox & Co. Vol 1 and Vol 2 are two albums of instrumentals & songs inspired by my metal-bodied resonator ukulele, whom I affectionately named PIGBOX. A ramshackle assortment of gutterblues, loose jazz, americana, folkalisms and lyrical noodlings, accompanied by a variety of other instruments and found sounds. As mentioned in Early Ukelele Explorations (2005
Pigbox & Co. Vol 1 & 2 (2016) Read More »
Beyond all the pop fads & historical derision, the ukulele is a versatile & deeply expressive instrument in it’s own right – simple yet complex, delicate yet certain in its melancholic humour, eloquently humble in a world of noise. After I had explored guitar & percussion on and off for 25 years, ukulele somewhat serendipitously
Early Ukelele Explorations (2005 – 2013) Read More »
In 2003 I spontaneously answered a small hand-drawn ad in MacFie’s Music shop in Nth Hobart, someone looking for interested parties with whom to play guitar music of a Eurofolk bent. It was Luke Yates, a young uni student recently-returned from travels in France, previously an 80s metal guitarist who had an acoustic epiphany while
Mini-Exhibition: Spondooli Brothers artwork Read More »
Acoustic instrumentals using European mandolin, octave mandola & acoustic guitar, and drawing on exotic flavours such as baroque, the Middle & Near East, rembetika and more. Throughout 2007 I was recovering from a nervous breakdown and in the depths of clinical depression. The music that forms this album helped me examine my profound grief &
A collection of ramshackle field recordings of folk musics from across Spondoolistan…. In between Spondoolies, I was experimenting more with home recording my own material. A few tunes were in Spondoolish territory but didn’t quite fit our repertoire. Some were recording experiments that contained spontaneous improvisations, percussion or editing effects – in other words, not
Camel Lips (The Spondooli Other / 2005) Read More »
“Legends abound as to the origins of the Spondooli Brothers: Born in a guitar case in a Lower Spondoolovitch potato field. Raised by feral goats in the barren foothills of Upper Spondolia. Illegitimate heirs to the throne of the Grand Hoopla of Absurdistan, sold as child slaves to a nomadic circus tribe who trained them
The Spondooli Brothers (2003 – 2006) Read More »
Hot on the heels of July’s school holiday workshops, I hurtled headlong into a week-long Artist Residency. Last year Mirjam Holthuis from Cygnet Community Childrens Centre (CCCC) was successful in securing a grant to employ three local artists from the Cygnet area, including myself. Each of the artists were asked to offer creative experiences to
Cygnet Early Childhood Artist-In-Residence, July 2013 Read More »
