Music

Of all the creative mediums, music is the one I find most satisfying. Sound is immediate, fluid, infinitely textured. It is invisible, and it never stops moving. All my music is a form of impressionistic journalling, of painting my experiences back to myself, a conversation and a sensemaking with myself. I don’t create with an audience in mind, so I can explore any style that takes my interest, follow any impulse, design or dismantle the parameters as the moment takes me. The act of shaping sound is my autistic hyperfocus bliss, it regulates and enlivens me, and has very literally kept me alive in my darkest night. I am a multi-instrumentalist wombat – sound is food, I am what I eat and stay authentic to my creative appetites. It’s digging the tunnel that interests me most, not the light at the end of it.

All my recordings are available on Bandcamp. In this archive, you can listen to the music while you read about my creative processes, my inner journeys, learn something of my nature and life.

Big Water Country (2025)

These last two years (2023/24) have been an ever-deepening, ever-expanding journey of opening the heart, releasing old love with grace,...

Cafe Nowhere series (2024)

Like the eclectic ‘world folk’ flavours of 2023’s Ramshackle Alchemy album, the Cafe Nowhere series (1 – 4) brings together...

Caja De Huesos (2023)

Caja De Huesos translates as ‘Box Of Bones’, and this particular Box Of Bones is a collection of old songs...

Textured Monotonies V (2023)

The recordings on Textured Monotonies V have actually been ready for release since Dec 2022, but the many-tentacled beast that...

Burial Grounds (2023)

The pieces on Burial Grounds emerged as part of the same process that produced Making Peace I & II and...

Looking For Light (2023)

Looking For Light contains many layers of meaning for me, all relating to my experience of living in a particular...

Making Peace I & II (2023)

My musicking process / continuum is unavoidably autobiographical, always reflecting some aspect of whatever life events my ‘self’ is experiencing...

Intimacies (2023)

In today’s culture (gasping as it is for nuanced vocabulary and thought), the word ‘intimacy’ seems mainly to appear in...

Because, Remember (2022)

Because, Remember is in part a meditation on memory: its fragmentary nature to begin with, and its unavoidable fragmentation over...

Displacement Ritual (2022)

A restless ceremonial jazz journey, exploring physical, emotional & psychic displacement. Moods shift in fluid ripples or jagged left-turns, dreamlike,...

Kalonga (2022)

Although chronologically some of these recordings were made prior, Kalonga follows on from Floater, and the pieces all emerged from...

Floater (2022)

Over the months of June / July we had to move from our home of the last 5 years (Kalonga)....

Crucible (2022)

Some of my albums have no particular story, no underlying thematic glue or particular point of inspiration when I’m creating...

Xenografika (2022)

The first pieces for Xenografika began taking shape immediately after I completed the Kro Gnosis album, which had itself followed...

Kro Gnosis (2022)

Once again, a combination of disparate ingredients organically converged to bring about this new collection of musical explorations, Kro Gnosis. ...

Temple (2022)

The emergence of the Temple recordings began with an unexpected musical gift from my partner Heidi: a beautiful 17-note kalimba...

For A Few Gringos More (2022)

After the fun I had frankensteining Asp Burger ReMangled (in which I ‘remangled’ tracks from my 2018 Asp Burger album),...

Elegiac Reaction (2021)

Earlier this year I recorded a collection of spacious, minimalist piano pieces that became the album The Witnessing Of Paint...

Asp Burger ReMangled (2021)

Things to do when you have a broken wrist: Make a guitar album. That is, take an existing guitar album,...